Il n’y a pas de Beckett
Christopher Prendergast, 14 November 1996
Damned to Fame: The Life of Samuel Beckett
by James Knowlson.
Bloomsbury, 872 pp., £25, September 1996,0 7475 2719 9 Show More
by James Knowlson.
Bloomsbury, 872 pp., £25, September 1996,
Samuel Beckett: The Last Modernist
by Anthony Cronin.
HarperCollins, 645 pp., £25, October 1996,9780246137692 Show More
by Anthony Cronin.
HarperCollins, 645 pp., £25, October 1996,
The Theatrical Notebooks of Samuel Beckett. Vol I: Waiting for Godot
edited by Dougald McMillan and James Knowlson.
Faber, 472 pp., £75, March 1994,0 571 14543 4 Show More
edited by Dougald McMillan and James Knowlson.
Faber, 472 pp., £75, March 1994,
The Theatrical Notebooks of Samuel Beckett. Vol II: Endgame
edited by S.E. Gontarski.
Faber, 276 pp., £50, November 1992,0 571 14544 2 Show More
edited by S.E. Gontarski.
Faber, 276 pp., £50, November 1992,
The Theatrical Notebooks of Samuel Beckett. Vol III: Krapp’s Last Tape
edited by James Knowlson.
Faber, 286 pp., £50, May 1992,0 571 14563 9 Show More
edited by James Knowlson.
Faber, 286 pp., £50, May 1992,
Eleutheria
by Samuel Beckett, translated by Barbara Wright.
Faber, 170 pp., £6.99, September 1996,9780571178261 Show More
by Samuel Beckett, translated by Barbara Wright.
Faber, 170 pp., £6.99, September 1996,
“... There is also the place of photography in Beckett’s literary and dramatic thinking. Knowlson sees the late text Still as inspired by painting, but misses the obvious allusion in the title to a photograph (Gontarski, on the other hand, makes a passing reference to the frozen postures in Endgame as reminiscent of still ... ”
